'Fifty Shades Freed' commands $38.8 million to top charts


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LOS ANGELES (AP) — Newcomers like "Fifty Shades Freed," ''Peter Rabbit" and "The 15:17 to Paris" breathed some fresh life into a marketplace that has for weeks been dominated by "Jumanji: Welcome to the Jungle," ''The Greatest Showman" and various Oscar contenders. But it's all just setting the stage for "Black Panther," which opens next week.

"Fifty Shades Freed"managed to take the top spot on the charts in North American theaters. Universal Pictures estimated Sunday that the final chapter in the Christian Grey and Anastasia Steele saga earned $38.8 million over the weekend — down significantly from the first film's $85.2 million debut and even the sequel's $46.6 million opening, but enough to bump the three-film franchise over $1 billion globally. Women once again made up the vast majority (75 percent) of the opening weekend audience.

"We are exhilarated with the results," said Jim Orr, Universal's president of domestic distribution. "To have a trilogy engineered primarily for a female audience that we were then able to broaden out into a billion-dollar franchise is just a fantastic result."

The studio expects a healthy mid-week bump on Valentine's Day and to serve as counter-programming over the holiday weekend against "Black Panther."

The steamy romance outdid other new competitors like Sony's CG and live-action update of "Peter Rabbit," featuring the voice of James Corden, and Clint Eastwood's "The 15:17 to Paris," starring the real men who thwarted an attack on a Paris-bound train in the summer of 2015.

"Peter Rabbit," which cost around $50 million to produce, hopped to second place with a solid $25 million and an A- CinemaScore.

"The 15:17 to Paris" pulled into third place with $12.6 million. Eastwood's dramatic thriller about the true story was not well-received by critics or audiences, who gave the film a poor B- CinemaScore.

Two films that just won't quit rounded out the top five: "Jumanji: Welcome to the Jungle" fell to fourth place with $9.8 million and "The Greatest Showman" took fifth with $6.4 million.

Overall the marketplace is still down around 1.8 percent for the year and around 27 percent from the same weekend last year which, comScore senior media analyst Paul Dergarabedian notes, saw the launch of "The Lego Batman Movie," ''Fifty Shades Darker" and "John Wick: Chapter 2," all of which opened over $30 million.

But the box office will pick up next weekend with "Black Panther," which some analysts are pegging for a $150 million start.

"This is the calm before the Marvel storm," Dergarabedian said. "'Black Panther' is going to supercharge this marketplace when it opens later this week. I think it's going to break records and spark a huge conversation."

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to comScore. Final domestic figures will be released Monday.

1. "Fifty Shades Freed," $38.8 million.

2. "Peter Rabbit," $25 million.

3. "The 15:17 to Paris," $12.6 million.

4. "Jumanji: Welcome to the Jungle," $9.8 million.

5. "The Greatest Showman," $6.4 million.

6. "Maze Runner: The Death Cure," $6 million.

7. "Winchester," $5.1 million.

8. "The Post," $3.5 million.

9. "The Shape of Water," $3 million.

10. "Den of Thieves,"$2.9 million.

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Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by 21st Century Fox; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

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Follow AP Film Writer Lindsey Bahr on Twitter at: http://twitter.com/ldbahr

Copyright © The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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